Your mini-patterned shirt? Maybe it’s beautiful.
But if it attracts more attention than your eyes… we’ve got a bit of a problem.
On a photo shoot, especially a professional portrait, the goal is not to pay attention to what you’re wearing, but to keep the attention on you, not your clothes. And that often means making simple, well-thought-out clothing choices.
Tight stripes, mini-patterns, complex textures… To the naked eye, they look fine. But on camera? It can create a moiré effect: a kind of visual bug that draws attention for all the wrong reasons.
What’s more, high-contrast patterns can completely distract the eye from the face. And in a portrait, it’s not the fabric you want to see first. It’s you.
Depending on the light, the setting and your skin tone, one color can stand out much better than another. Having two options gives you the freedom to choose what suits you best in the moment.
Little bonus: if ever you have a last-minute doubt or a coffee spill (it happens more often than you think), you’ve got a plan B.
You want to feel comfortable. When you feel good in your clothes, it’s reflected in your attitude, your look, your posture.
No need to break out the tie or jacket if it’s not you. But if you do want to wear one… make sure it’s clean, pressed and doesn’t smell like the back of your wardrobe.
A watch, a ring, maybe two. But there’s no need to bring out your entire jewelry collection. In photography, too many reflections or shiny elements can be distracting. Again: we want the attention to stay on you.
The aim of a professional portrait isn’t to play a character. It’s about capturing your personality, your energy. Your outfit should follow this principle: sober, neat, true to yourself.
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